But this approach bears several risks, so I only recommend it for fearless and highly technically skilled photographers.Īnother alternative is to use lenses made for a larger sensor than your camera has-for example using a medium format lens instead of a 35mm lens. That enables you to put the lens in roughly its original position, and thus preserve the original maximum focusing distance. With some lenses, it’s possible to unscrew just their rear section. Even if you move out to infinity, you usually will only get sharpness for pictures taken about a meter away. The most fundamental is the loss of distance focusing. Of course this extremely primitive solution does have some downsides. The same scene photographed from the same place, simply with a differently-tilted lens. These problems came during the shots, not during computer edits. It’s only fair, because this way in some pictures you’ll see the shifted colors and light defects that come with freelensing. I should note that in this article, all the photos will be unedited except for their brightness and contrast, to make it as clear as possible what kind of pictures you can create with this technique. Freelensing-the lens is held in front of the camera.īelow is a comparison of photos from an identically-positioned camera, but with a differently-tilted lens. It lets you tilt and shift the lens, just like an actual tilt-shift lens would. And yet another is using a normal lens, but taking it off the camera and holding it right in front of the camera. Another is the software route in Zoner Photo Studio ( described in an earlier article). blur upwards and downwards instead.īecause these specialized lenses are very expensive, people have found ways to achieve this effect more cheaply. In tilt-shift, the areas away from the focus point do not have to grow blurrier classically towards the front and back you can also make them e.g. Pictures taken with a tilt-shift lens usually grab audiences’ attention, primarily because of their tilted focal plane. Since you can turn it to the sides, you can easily change the focal plane and get some exceptional effects. Tired of normal photography? Try some tricks! For example, try capturing the world around you with your lens in your left hand, a few millimeters in front of the camera and detached from it.
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